Truth? The risks of truth in the era of post-fiction

Abstract

The function of documentary, rather than digging for the truth, is to elucidate scaffolding that constitutes the phenomenon observed by the documentary filmmaker, in function of showing - from the kinetic - its diverse facets. Therefore, the paper would seek to interpret "the objective" in opposition to "truth", understanding the first concept within an epistemological framework that evades the construction of a unique sense to understand the world.

In this way, in a context where "truth" expires, the correct approach is not to try to claim its properties, but rather to look and observe from another angle, to discern what is simulated in reality. The paper also analyzes cinema as a dream that isolates and invites