Chekhov, Woody Allen and the non-aristotelian structures in film

a reflection from the actor’s work for the camera in the pedagogic environment

Possession, sacrifice and the other world; or the actor's bodily heritage from magic to the filmscreen

Approach to the encounter between the actor and (certain) cinema in the construction of a regime of reality

Feminization and precariousness in acting work

or the filmic rewriting of literary tradition

new tools for cinema, literature and communication. Casos de referencia en Latinoamérica y Ecuador

Thoughts on the experience of creating Ecuador´s Deaf Film Festival